Key Contribution

1970

The creative process where the artist is amplified or superseded by the computer
Stroud Cornock and Ernest Edmonds, Proceedings of the Computer Graphics '70 Conference, Brunel University, UK and later published in Leonardo, Vol.16, 1973, pp.11-16.

ABSTRACT

The advent of computing stimulates a desire to re-examine the subject of creativity. Though the computer can replace man in the production of graphic images, its function in the arts is seen as assisting in the specification of art systems and in their subsequent real-time management. An art of system or process is placed in the context of primarily the visual or plastic arts but the authors disavow concern with any ‘new’ or ‘modern technological’ art. Various types of art systems are mentioned and advantages of the fully interactive one are considered. It is pointed out that the inclusion of complex real-time responses in an interactive art system can frequently make use of a computer. In such work, the artist and the viewer play an integral part. The traditional role of the artist, composer or writer is thus called into question; it may no longer be necessary to assume that he is a specialist in art – rather he is a catalyst of creative activity. Three cases are discussed to illustrate the applications of this approach.