1990s: time, colour and computation |
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Avant Garde 90, 1990 Moscow |
Heads & Legs, 1990 Liège, Belgium The first public performance of a "Correspondence" work, combining sound and image, was given at the opening. It was a collaboration with Jean-Pierre Husquinet.
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The video constructs were at first recorded in real time onto video tape, but by 1990 they were realised directly from the computer and hence had no restriction on length. Both the generative time-based work and the systems paintings continued, with a specific emphasis on systems to select, vary and manipulate colour Selected exhibitions 1999: Galerie Jean-Mark Laik, Koblenz 1999: Science in the Arts _ Arts in Science, Hungarian Academy of Fine Arts, Budapest 1996: International Symposium, Creativity & Cognition II, Loughborough University 1994: Digital Arts, The Mall Gallery, London 1994: Friends of Mesures. Vervier and Antwerp 1993: International Symposium, Creativity & Cognition I, Loughborough University 1992: Computers in Music and Performance, British Computer Society, London 1991: Colour, Academie Industriele Vormgeving, Eindhoven _ collaborative performance 1990: SISEA, Groningen _ collaborative performance 1990: Avant Garde 1990, Manege, Moscow 1990: International Film and Video Festival, Leicester 1990: Art Creating Society. Museum of Modern Art, Oxford 1990: Heads and Legs. Liege (one-person) including a collaborative performance Selected publications Edmonds, E. A. “Knowledge based systems for creativity”. Gero and Maher (editors), Modeling Creativity and Knowledge-Based Creative Design, Erlbaum, Hillsdale, New Jersey, pp 259-271, 1993. Edmonds, E. A., ''Culture, Knowledge and Creativity - Beyond Computable Numbers'', Languages of Design, 1(3), 1993, pp 253-261, ISSN 0927-3034. Edmonds, E. A., Deutsch, S., Ferran, B. and Pettigrew, J., Mission Report: The Interaction of Art and Technology in Japan, July 1998. Department of Trade and Industry. UK.
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