2000s: communication, correspondence and influence |
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In the work of the first decade of this century, the generative works, video constructs, became interactive, using sound and image sensor systems. As these interactive works developed the concern for long term influences, rather than short term reactions, led to the Shaping Form series, which continues to evolve. The early concerns of Communication Games, were revived to combine with Shaping Forms into the distributed interactive systems, Cities Tango. New work also included colaboration with Mark Fell on a series of performances integrating sound and image. Selected exhibitions 2000: Constructs & Reconstructions, Loughborough University (one-person)2005: White Noise, Australian Centre for the Moving Image, Melbourne2009: C&C09 Berkeley Art Museum, CA (Performance) 2009: When Ideas Become Form - 20 Years, Conny Dietzschold Gallery, Sydney 2009: Cities Tango, Conny Dietzschold Gallery, Sydney and ISEA, Selected publications Candy, L. and Edmonds, E.A. "Explorations in Art and Technology", Springer-Verlag, London, 2002. Edmonds, E. A. “Structure in Art Practice: Technology as an Agent for Concept Development”. Leonardo, 35 (1) 2002.pp. 65-71 Edmonds, E. A. On New Constructs in Art. Artists Bookworks, UK, 2005. Edmonds, E. A. Constructive Computation. In P. Brown, C. Gere, N. Lambert & C. Mason (Eds.), White Heat Cold Logic - British Computer Art 1960-1980. London, UK: MIT Press, 2009, pp 345-360. Boden, M. A. and Edmonds, E. A. "What is Generative Art?". Digital Creativity Vol. 20 Nos 1-2, 2009, pp 21-46. |
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