2000s: communication, correspondence and influence


In the work of the first decade of this century, the generative works, video constructs, became interactive, using sound and image sensor systems. As these interactive works developed the concern for long term influences, rather than short term reactions, led to the Shaping Form series, which continues to evolve. The early concerns of Communication Games, were revived to combine with Shaping Forms into the distributed interactive systems, Cities Tango. New work also included colaboration with Mark Fell on a series of performances integrating sound and image.

Selected exhibitions

2000: Constructs & Reconstructions, Loughborough University (one-person)
2005: White Noise, Australian Centre for the Moving Image, Melbourne
2009: C&C09 Berkeley Art Museum, CA (Performance)
2009: When Ideas Become Form - 20 Years, Conny Dietzschold Gallery, Sydney
2009: Cities Tango, Conny Dietzschold Gallery, Sydney and ISEA,

Selected publications

Candy, L. and Edmonds, E.A. "Explorations in Art and Technology", Springer-Verlag, London, 2002. Edmonds, E. A. “Structure in Art Practice: Technology as an Agent for Concept Development”. Leonardo, 35 (1) 2002.pp. 65-71
Edmonds, E. A. On New Constructs in Art. Artists Bookworks, UK, 2005.
Edmonds, E. A.
Constructive Computation. In P. Brown, C. Gere, N. Lambert & C. Mason (Eds.), White Heat Cold Logic - British Computer Art 1960-1980. London, UK: MIT Press, 2009, pp 345-360.
Boden, M. A. and Edmonds, E. A. "What is Generative Art?". Digital Creativity Vol. 20 Nos 1-2, 2009, pp 21-46.

Tango Tangle

Shaping Form

Cities Tango

Shaped Forms


Sound/Image works with Mark Fell

Port Hacking

Broadway One

From Kyoto to Sheffied


1990s 2010s Home About